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Văn bản từ Paulina_paulina - English

  • SUMMARY - Thank you in advance!

  • Laurent Pugin, in his article ‘The challenge of data in digital musicology’ states that the digital technology development depends in large part on an access and a scale of research.
  • The development in all disciplines in the humanities undergoes a vast change in musicology.
  • The reason of the fact is that the scholars in musicology base predominantly on text-based materials.
  • The field struggled for a long time with a limited availability of the sources, what caused an inclination of close-reading approaches.
  • However, the digital humanities enable to locate sources easier and at the same time give an online availability to them.
  • The author gives examples of some types of projects in for example: composer-specific, repertoire-oriented or library collection and describes their features and limitations.
  • A challenge of digital musicology projects is question of accessing large datasets that are essential while music analysis or music searching.
  • There are recited most popular and successful initiatives that took musicology to the next level but at the same time it is showed how much is to be done.
  • A next important challenge, that is claimed, is optical music recognition (OMR), because the actual tools are so imperfect that it requires very often transcriptions by hand.
  • While creating large datasets it is significant to consider such features as data quality or ensuring interoperability, because of the complexity and limitation that are in the field.
  • A the end the author outlines ways of development and opportunities that give us digital musicology projects.

Xin hãy chỉnh sửa từng câu giúp tôi! - English

  • Tiêu đề
  • câu 1
    • Laurent Pugin, in his article ‘The challenge of data in digital musicology’ states that the digital technology development depends in large part on an access and a scale of research.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 1ADD a NEW CORRECTION! - câu 1
  • câu 2
  • câu 3
  • câu 4
    • The field struggled for a long time with a limited availability of the sources, what caused an inclination of close-reading approaches.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 4ADD a NEW CORRECTION! - câu 4
  • câu 5
    • However, the digital humanities enable to locate sources easier and at the same time give an online availability to them.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 5ADD a NEW CORRECTION! - câu 5
  • câu 6
    • The author gives examples of some types of projects in for example: composer-specific, repertoire-oriented or library collection and describes their features and limitations.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 6ADD a NEW CORRECTION! - câu 6
  • câu 7
    • A challenge of digital musicology projects is question of accessing large datasets that are essential while music analysis or music searching.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 7ADD a NEW CORRECTION! - câu 7
  • câu 8
    • There are recited most popular and successful initiatives that took musicology to the next level but at the same time it is showed how much is to be done.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 8ADD a NEW CORRECTION! - câu 8
  • câu 9
    • A next important challenge, that is claimed, is optical music recognition (OMR), because the actual tools are so imperfect that it requires very often transcriptions by hand.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 9ADD a NEW CORRECTION! - câu 9
  • câu 10
    • While creating large datasets it is significant to consider such features as data quality or ensuring interoperability, because of the complexity and limitation that are in the field.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 10ADD a NEW CORRECTION! - câu 10
  • câu 11
    • A the end the author outlines ways of development and opportunities that give us digital musicology projects.
      Bầu chọn ngay!
    • ADD a NEW CORRECTION! - câu 11ADD a NEW CORRECTION! - câu 11