Korektoj

Text from oxana_tron - English

    • Please help to correct extract from my interview

    • Oxana By the way, the radio is interesting topic to discuss.
    • You got started doing vj/dj sets, field recordings, and now for SWAP exhibition you have chosen radio project.
  • Does it illustrate your way as an artist, showing that radio is more relevant and fascinating to you now than other mediums?
    • Anton There is such a term as “media archaeology” and basically it’s what I’ve been engaged in.
    • This definition was invented by finnish theoretic Erkki Huhtamo.
    • Media archeology can be seen both as field of research and at same time as artistic and critical method.
    • I ironically noded to myself that I went from traditional archeology to media one, because I was into actual archeology earlier.
    • Referring to seemingly old mediums we, at some point, critic excessive accelerating pace of development.
    • Stanislaw Lem, for instance, compared technological and biological evolution, demonstrating that those types that seem to appear invasive and archaic with certain change of ecological environment can rather get further development because it got specific features necessary for survival.
    • And with radio consumer can easy switch himself to producer - the same radio receiver, if desired, can be quickly changed to radio transmitter.
  • You can create some alternative methods of communications with it.
    • It’s appears to me very interesting, initially imaginary concept, that could afterwards come to material form.
    • Also it’s a motive for exhibition visitor how he uses this feature, and from what he can get rid of.
  • Specificity of modern times is that gradual reduction in the cost of technology have lead us to situation, where these stuff, that once were accessible in some exploratory private laboratories, now became available and on their basis you can build your very own systems.
  • In general framework of art history (classical art or new media particularly) this brings to certain revival of trends.
  • Take VR as example, that was developed in America at 60’s , in MIT laboratories, but now, because of general availability, it receive so many users, therefore, fresh impetus.
  • Today the same thing has been happening with the radio.
  • Because of digital technologies radio became so accessible, that now, to put it crudely, have turned into insignificant gadget that comes with computer.
  • All that gains hybrid nature - it’s old technology, but in combination with the new ones create something that was never seen before.
  • Oxana As part of your project #hero you’ve touched burning subject of canonization of the army by both warring groups through the language of generative programs.
  • How does ukrainian viewer interprets your complicated art, build on metaphors, concepts, and here and there harsh musical experiments, and after all, are you expecting comprehension from mediocre ukrainians, who not involved in art world?
  • Anton Yes, I trying to create in meaningful way, and because my media art is not an attraction, usually it can looks dull for the viewer.You must really get it, yeah, that’s the problem.
  • While using complex technology you must find such a simple form of message, which at the same time is accessible and maybe ironic, in some way, while viewer has to caught the statement immediately.
  • Media art can’t be as quick to perceive as a picture - it takes time to immerse yourself in it.
  • For instance, I have noticed even for myself that earlier I used to listen to the music regardless of anything, and now basic way to consume the music is to turn it as background noise, when you work on something.
  • Today spending one hour, doing nothing, just to listen an album it is a luxury.
  • That is the problem of finding the relevant language, especially in Ukraine environment, where people just surviving and trying to earn for a living, and here the problem, that no one want see, been thrown in their face.
  • Basic survival, finding resources for living and home, that we have lost , these issues concern to me the most, as well as to my friends.
  • It was my natural evolution that has been obtained by events of my life.
  • That’s why I cannot say nothing about it, maybe just haven’t quite understand how to find the accessible language to talk about it.
  • Yes, for unprepared audience it can be quite hard.

PLEASE, HELP TO CORRECT EACH SENTENCE! - English

  • Titolo
  • Frazo 1
  • Frazo 2
  • Frazo 3
    • Does it illustrate your way as an artist, showing that radio is more relevant and fascinating to you now than other mediums?
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 3ALDONI NOVAN KOREKTON - Frazo 3
  • Frazo 4
  • Frazo 5
  • Frazo 6
  • Frazo 7
    • I ironically noded to myself that I went from traditional archeology to media one, because I was into actual archeology earlier.
      Voĉdoni nun!
    • I ironically nodted to myself that I went from traditional archeology to media one, because I was into actual archeology earlier.
    • ALDONI NOVAN KOREKTON - Frazo 7ALDONI NOVAN KOREKTON - Frazo 7
  • Frazo 8
  • Frazo 9
    • Stanislaw Lem, for instance, compared technological and biological evolution, demonstrating that those types that seem to appear invasive and archaic with certain change of ecological environment can rather get further development because it got specific features necessary for survival.
      Voĉdoni nun!
    • Stanislaw Lem, for instance, compared technological and biological evolution, demonstrating that those types that seem to appear invasive and archaic with certain change ofs in the ecological environment can rather get further development because it's got specific features necessary for survival.
    • ALDONI NOVAN KOREKTON - Frazo 9ALDONI NOVAN KOREKTON - Frazo 9
  • Frazo 10
    • And with radio consumer can easy switch himself to producer - the same radio receiver, if desired, can be quickly changed to radio transmitter.
      Voĉdoni nun!
    • And with radio consumers can easily switch himself to producers - the same radio receiver, if desired, can be quickly changed to a radio transmitter.
    • ALDONI NOVAN KOREKTON - Frazo 10ALDONI NOVAN KOREKTON - Frazo 10
  • Frazo 11
  • Frazo 12
  • Frazo 13
  • Frazo 14
    • Specificity of modern times is that gradual reduction in the cost of technology have lead us to situation, where these stuff, that once were accessible in some exploratory private laboratories, now became available and on their basis you can build your very own systems.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 14ALDONI NOVAN KOREKTON - Frazo 14
  • Frazo 15
    • In general framework of art history (classical art or new media particularly) this brings to certain revival of trends.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 15ALDONI NOVAN KOREKTON - Frazo 15
  • Frazo 16
    • Take VR as example, that was developed in America at 60’s , in MIT laboratories, but now, because of general availability, it receive so many users, therefore, fresh impetus.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 16ALDONI NOVAN KOREKTON - Frazo 16
  • Frazo 17
  • Frazo 18
    • Because of digital technologies radio became so accessible, that now, to put it crudely, have turned into insignificant gadget that comes with computer.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 18ALDONI NOVAN KOREKTON - Frazo 18
  • Frazo 19
    • All that gains hybrid nature - it’s old technology, but in combination with the new ones create something that was never seen before.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 19ALDONI NOVAN KOREKTON - Frazo 19
  • Frazo 20
    • Oxana As part of your project #hero you’ve touched burning subject of canonization of the army by both warring groups through the language of generative programs.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 20ALDONI NOVAN KOREKTON - Frazo 20
  • Frazo 21
    • How does ukrainian viewer interprets your complicated art, build on metaphors, concepts, and here and there harsh musical experiments, and after all, are you expecting comprehension from mediocre ukrainians, who not involved in art world?
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 21ALDONI NOVAN KOREKTON - Frazo 21
  • Frazo 22
    • Anton Yes, I trying to create in meaningful way, and because my media art is not an attraction, usually it can looks dull for the viewer.You must really get it, yeah, that’s the problem.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 22ALDONI NOVAN KOREKTON - Frazo 22
  • Frazo 23
    • While using complex technology you must find such a simple form of message, which at the same time is accessible and maybe ironic, in some way, while viewer has to caught the statement immediately.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 23ALDONI NOVAN KOREKTON - Frazo 23
  • Frazo 24
  • Frazo 25
    • For instance, I have noticed even for myself that earlier I used to listen to the music regardless of anything, and now basic way to consume the music is to turn it as background noise, when you work on something.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 25ALDONI NOVAN KOREKTON - Frazo 25
  • Frazo 26
  • Frazo 27
    • That is the problem of finding the relevant language, especially in Ukraine environment, where people just surviving and trying to earn for a living, and here the problem, that no one want see, been thrown in their face.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 27ALDONI NOVAN KOREKTON - Frazo 27
  • Frazo 28
    • Basic survival, finding resources for living and home, that we have lost , these issues concern to me the most, as well as to my friends.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 28ALDONI NOVAN KOREKTON - Frazo 28
  • Frazo 29
  • Frazo 30
    • That’s why I cannot say nothing about it, maybe just haven’t quite understand how to find the accessible language to talk about it.
      Voĉdoni nun!
    • ALDONI NOVAN KOREKTON - Frazo 30ALDONI NOVAN KOREKTON - Frazo 30
  • Frazo 31