Difference between revisions of "Language/Multiple-languages/Culture/Traditional-Music:-Eastern-Asia"
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Line 11: | Line 11: | ||
|1614 – 1685 | |1614 – 1685 | ||
|Japan | |Japan | ||
| | |八橋検校 | ||
Yatsuhashi Kengyō | |||
| | | | ||
* 六段の調 | * 六段の調 | ||
Line 21: | Line 22: | ||
|People's Republic of China | |People's Republic of China | ||
|刘铁山、茅沅 | |刘铁山、茅沅 | ||
Liú Tiěshān, Máo Yuán | |||
| | | | ||
* 瑤族舞曲 | * 瑤族舞曲 |
Revision as of 00:25, 14 April 2024
Classical Music
time | country | composer | composition | video |
---|---|---|---|---|
1614 – 1685 | Japan | 八橋検校
Yatsuhashi Kengyō |
Six-Column Tune |
|
1923 –, 1926 – 2022 | People's Republic of China | 刘铁山、茅沅
Liú Tiěshān, Máo Yuán |
Dance of the Yao People |
|
? | Song | ? |
Moonlight over the Blossoms by the River (Poetry Collection of the Music Bureau) |
|
? | Ming ? | ? |
Flowing Water (Qín Scores of Tiánwén Pavilion) |
|
? | Ming ? | ? |
Guǎnglíng Verse (Miraculous Secret Scores) |
|
? | Ming ? | ? |
Eighteen Songs of a Nomad Flute (Miraculous Secret Scores) |
|
? | Ming ? | ? |
Drunken Ecstasy (Miraculous Secret Scores) |
|
? | Ming ? | ? |
Plum Blossom Melody with Three Plucks (Miraculous Secret Scores) |
|
? | Ming ? | ? |
Wild Geese Descending on the Sand Bank (Qín Scores of Jiāo'àn) |
|
? | Ming | ? |
Ambush from Ten Sides (Pípa Scores) |
|
? | Qing | ? |
Colourful Clouds Chasing after the Moon |
|
? | Qing ? | ? |
Lofty Mountain and Flowing Water (Qín Scores of Tiánwén Pavilion) |
|
? | Qing ? | ? |
Three Refrains at Yáng Gate (Introduction to Qín) |
|
? | Japan ? | ? |
Music Brought from Heaven |
Folk Music
ethnic group | composition | video |
---|---|---|
Han (Jiangsu) |
|
|
Han (Sichuan) |
|
|
Hmong (China) |
|
|
Kazakhs (China) |
|
|
Koreans |
|
|
Manchu |
|
|
Mongols |
|
|
Ryukyuan people |
|
|
Tujia (Hubei) |
|
|
Uyghurs |
|
|
Yamato |
|