Editing Language/Japanese/Vocabulary/Glossary-of-Japanese-martial-arts

[[File:Japanese-martial-arts-vocabulary.png|thumb]]
[[Category:Japanese/Glossary]]
In this lesson, you will find a lexicon of [https://en.wikipedia.org/wiki/List_of_Japanese_martial_arts Japanese martial arts]. 

Feel free to correct or add new vocabulary.
__TOC__

{| class="wikitable"
!Japanese
!French
!English
|-
!
== A ==
|
|
|-
|AI
合
|Harmonie, union, unification, rencontre.
|Harmony, union, unification, encounter.
|-
|AI HANMI
相半身
|Position identique.
|Identical position.
|-
|AI HANMI KATATE  DORI
相半身片手取り
|Saisie d'une main du côté opposé.
|Entering a hand on the opposite side.
|-
|AIKI OTOSHI
合気落とし
|Projection qui utilise le ramassage des jambes du  partenaire.
|Projection that uses the partner's leg collection.
|-
|AIKI TAISŌ
合気体操
|Exercices de bases en Aikido.
|Basic exercises in Aikido.
|-
|AIKIDŌ
合気道
|Voie de l'harmonie. Art martial uniquement défensif  utilisant différentes techniques de projection, de contrôle et  d'immobilisation mettant en jeu les articulations. L'AIKIDO est la forme  moderne et pacifique d'un art martial ancien, l'AIKIJUTSU, lui-même issu d'un  autre art tout aussi ancien
|Way of harmony. Only defensive martial art using  different techniques of projection, control and immobilization involving the  joints. AIKIDO is the modern and peaceful form of an ancient martial art, the  AIKIJUTSU, itself derived from another ancient art
|-
|AIKIDŌGI
合気道着
|Tenue d'Aikido.
|Aikido outfit.
|-
|AIKIDŌKA
合気道家
|Pratiquant qui a atteint la maîtrise dans l'art de  l'Aikido. Le terme correct pour désigner un pratiquant qui n'a pas encore  atteint la maîtrise est
|Practitioner who has achieved mastery in the art of  Aikido. The correct term for a practitioner who has not yet achieved mastery  is
|-
|AIKIJUTSU
合気術
|Technique ancienne de combat basée sur la  coordination entre attaque et défense.
|Ancient combat technique based on coordination between attack  and defense.
|-
|AITE
相手
|Partenaire d'entraînement.
|Training partner.
|-
|ARIGATŌ
有難う
|Merci.
|Thank you.
|-
|ARIGATŌ  GOZAIMASHITA
有難う御座いました
|Merci beaucoup.
|Thank you so much.
|-
|ASHI
足
|Pied OU jambe.
|Foot OR leg.
|-
|ASHI BARAI
足払い
|Balayage des jambes.
|Sweeping of the legs.
|-
|ATEMI
当身
|Coup porté théoriquement à des endroits vitaux du  corps humain.
|Striking theoretically at vital places of the human body.
|-
|AYUMI ASHI
歩み足
|Déplacement en pas de marche normale, une jambe  après l'autre.
|Moving in normal step, one leg after another.
|-
!
== B ==
|
|
|-
|BATTO JUTSU
抜刀術
|Art de dégainer le sabre (forme ancienne de IAIDO).
|Art of unsheathing the sword (old form of IAIDO).
|-
|BŌ
棒
|Bâton long (1,80 m).
|Long stick (1.80 m).
|-
|BŌJUTSU
棒術
|Art ou bien technique du bâton.
|Art or technical stick.
|-
|BOKKEN
木剣
|Sabre de bois.
|Wooden sword.
|-
|BUDŌ
武道
|Voie de la guerre, arts martiaux traditionnels.
|Way of the war, traditional martial arts.
|-
|BUDŌ SEISHIN
武道精神
|esprit BUDO.
|BUDO spirit.
|-
|BUSHI
武士
|Guerrier.
|Warrior.
|-
|BUSHIDŌ
武士道
|Code d'honneur des BUSHI.
|Code of honor of BUSHI.
|-
!
==C==
|
|
|-
|CHI
地
|Terre.
|Earth.
|-
|CHŪDAN
中段
|Niveau moyen
|Average level
|-
|CHŪDAN TSUKI
中段突き
|coup de poing hauteur abdomen-plexus.
|punch abdomen-plexus height.
|-
!
==D==
|
|
|-
|DAN
段
|Degré, grade.
|Degree, grade.
|-
|DEAI
出会い
|Prise de contact, premier temps de la technique  (littéralement
|Handshake, first step of the technique (literally
|-
|DŌ
道
|Voie.
|Way.
|-
|DŌJŌ
道場
|lieu ou l'on étudie la voie, salle de pratique des  arts martiaux.
|place where one studies the way, room of practice of the  martial arts.
|-
|DOORI
通り
|Saisie.
|Entering.
|-
|DŌSHU
道主
|Littéralement, le Maître de la voie, représentant  suprême (technique et spirituel) de l'art.
|Literally, the Master of the Way, supreme representative  (technical and spiritual) of art.
|-
|DŌZO
どうぞ
|Je vous en prie, s'il vous plaît.
|Please, please.
|-
!
==E==
|
|
|-
|ERI
襟
|col
|collar
|-
!
==G==
|
|
|-
| -GAESHI
-返
|Enrouler.
|Wrap.
|-
|GAKU
学
|Calligraphie ou devise accrochée sur le mur des  DOJO.
|Calligraphy or motto hanging on the wall of DOJO.
|-
|GEDAN
下段
|Niveau bas.
|Low level.
|-
| -GERI/ KERI
蹴り
|Coup de pied.
|Kick.
|-
| -GI/ KI
着
|Vetêment.
|Clothes.
|-
|GI
技
|La technique, l'habileté (cf. "SHIN, GI,  TAI").
|Technique, skill (see "SHIN, GI, TAI").
|-
|GO NO GEIKO
|Entraînement fort, avec plus de fermeté de la part  de UKE.
|Strong training, with more firmness from UKE.
|-
|GOKYO
|Cinquième principe d'immobilisation.
|Fifth principle of immobilization.
|-
|GOSHI
腰
|Partie latérale du bassin, hanches voir aussi  KOSHI.
|Lateral pelvis, hips see also KOSHI.
|-
|GYAKU HANMI
逆半身
|Position inverse.
|Reverse position.
|-
!
==H==
|
|
|-
|HAKAMA
袴
|Jupe-culotte traditionnelle portée sur le GI dans  tous les BUDO classiques. Selon les écoles, peut être portée dès le début de  la pratique ou à partir d'un certain grade (souvent la ceinture noire).
|Traditional skirt worn on the GI in all classic BUDO.  Depending on the school, can be worn from the beginning of the practice or  from a certain grade (often the black belt).
|-
|HANMI (HAMMI)
半身
|Position de base en Aikido, un côté en avant  présentant la moitié du corps.
|Basic position in Aikido, one side forward with half of the  body.
|-
|HANMI HANDACHI
半身半立
|Un partenaire debout, l'autre à genoux.
|One partner standing, the other kneeling.
|-
|HARA
腹
|Le centre, le ventre considéré comme le centre de  la vie et de l'énergie.
|The center, the belly considered as the center of life and  energy.
|-
|HARAGEI
|Art de développer le HARA.
|Art of developing the HARA.
|-
|HENKA
変化
|Changement de posture sans bouger les pieds.
|Change of posture without moving your feet.
|-
|HENKAWAZA
変化技
|Variations, enchaînements.
|Variations, concatenations.
|-
|HIDARI
左
|Gauche.
|Left.
|-
|HIJI
肘
|Coude.
|Elbow.
|-
|HIZA
膝
|Genoux.
|Knees.
|-
!
==I==
|
|
|-
|IAIDŌ
居合道
|Voie du sabre (voie du sortir du sabre).
|Way of the sword (way out of the sword).
|-
|IAITŌ
居合刀
|Sabre factice d'entraînement au IAIDO.
|Dummy training sword at IAIDO.
|-
|IKKYO
|Premier principe d'immobilisation, clouage du  coude.
|First principle of immobilization, nailing of the elbow.
|-
|IRI
入り
|Entrer.
|Enter.
|-
|IRIMI
入り身
|Point fort de l'AIKIDO, c'est l'action d'entrer  droit sur l'adversaire tout en esquivant, action très positive. Presque tous  les mouvements d'AIKIDO utilisent le IRIMI et au paroxysme du IRIMI-TENKAN.
|Strong point of the AIKIDO, it is the action to enter right on  the opponent while dodging, very positive action. Almost all movements of  AIKIDO use IRIMI and the paroxysm of IRIMI-TENKAN.
|-
|IRIMI NAGE
入り身投げ
|Projection en entrant.
|Projection when entering.
|-
!
==J==
|
|
|-
|JIYŪ WAZA
自由技
|Travail libre.
|Free work.
|-
|JŌ
丈
|Bâton utilisé en Aikido (1,28 m).
|Staff used in Aikido (1.28 m).
|-
|JŌDAN
上段
|Niveau haut.
|High level.
|-
|JOSEKI
|Mur d'honneur d'un DOJO.
|Wall of honor of a DOJO.
|-
|JŪ
柔
|Souplesse.
|Flexibility.
|-
|JŪ NO GEIKO
|Entraînement souple.
|Flexible training.
|-
|JŪDŌ
柔道
|Voie de la souplesse. Sport de combat  principalement axé sur la compétition qui utilise les projections et les  immobilisations de l'ancien JU JUTSU.
|Way of flexibility. Primarily competition-based combat sport  that uses projections and fixed assets from the former JU JUGSU.
|-
|JŪDŌGI
柔道着
|Tenue de JUDO.
|Judo dress.
|-
|JŪJŪTSU
柔術
|Anciennes méthodes de combat d'où sont tirés  plusieurs arts martiaux modernes.
|Ancient methods of combat from which are drawn several modern  martial arts.
|-
|JŪKEN JŪTSU
銃剣術
|Art de la baïonnette
|Art of the bayonet
|-
!
==K==
|
|
|-
|KAI
会
|Association, groupement, école.
|Association, group, school.
|-
|KAITEN
回転
|Rotation, mouvement circulaire.
|Rotation, circular motion.
|-
|KAITEN NAGE
回転投げ
|Projection en lancer rotatif.
|Rotating throw projection.
|-
|KAKARI GEIKO
|Forme de travail en continu où le(s) partenaire(s)  attaque(nt) sans arrêt.
|Form of continuous work where the partner (s) attack (s)  without stopping.
|-
|KAMAE
構え
|Garde, posture.
|Guard, posture.
|-
|KAMIZA
上座
|Place d'honneur du DOJO vers laquelle les saluts  s'effectuent et où se trouve généralement le portrait de O-SENSEI.
|Place of honor of the DOJO to which greetings are made and  where is generally the portrait of O-SENSEI.
|-
|KARATE
空手
|Art martial de combat à mains nues (KARA
|Martial art of hand-to-hand combat (KARA
|-
|KARATEGI
空手着
|Tenue de KARATE.
|KARATE dress.
|-
|KATA
|Formes imposées, ensemble de mouvements stylisés.
|Imposed forms, set of stylized movements.
|-
|KATA
肩
|Épaules.
|Shoulders.
|-
|KATAME WAZA
固め技
|Techniques de contrôle qui sollicitent en général  les articulations.
|Control techniques that generally involve the joints.
|-
|KATANA
刀
|Sabre japonais.
|Japanese sword.
|-
|KATATE
片手
|Avant bras, poignet.
|Forearm, wrist.
|-
|KATATE DŌRI
片手取り
|Saisie du poignet.
|Entering the wrist.
|-
|KEIKO
稽古
|Pratique, répétition, entraînement.
|Practice, repetition, training.
|-
|KEIKO HŌ
稽古法
|Formes de pratique.
|Forms of practice.
|-
|KEIKOGI
稽古着
|Vêtement d'entraînement généralement blanc, utilisé  dans la plupart des écoles d'arts martiaux. Appelé à tort KIMONO.
|Usually white training suit, used in most martial arts  schools. Wrongly called KIMONO.
|-
|KEN
剣
|Sabre.
|Saber.
|-
|KENDŌ
剣道
|Escrime japonaise qui se pratique avec des sabres  de bambou ou SHINAI.
|Japanese fencing that is practiced with bamboo sabers or  SHINAI.
|-
|KENPŌ (KEMPŌ)
剣法
|ancienne technique de combat apparentée à la boxe  chinoise et au KARATE.
|ancient combat technique akin to Chinese boxing and karate.
|-
|KENSEN
|Ligne imaginaire reliant les deux partenaires et où  se situe l'action (litt: ligne des sabres).
|Imaginary line connecting the two partners and where is the  action (litt: line of swords).
|-
|KESA GIRI
|Action de couper en biais et de haut en bas.
|Action to cut at an angle and from top to bottom.
|-
|KI
気
|Énergie.
|Energy.
|-
|KI MUSUBI
気結び
|Liaison entre les deux partenaires.
|Liaison between the two partners.
|-
|KIAI
気合
|Cri, souffle ou bien impulsion.
|Scream, breath or impulse.
|-
|KIMONO
着物
|Sorte de longue robe portée par les femmes ou par  les hommes en vêtement d'intérieur ou de cérémonie. Le KIMONO n'est pas un  vêtement d'entraînement en arts martiaux. Le vêtement d'entraînement  s'appelle KEIKOGI.
|Kind of long dress worn by women or men in indoor or  ceremonial clothing. KIMONO is not a martial arts training garment. The  training suit is called KEIKOGI.
|-
|KIRI
切り
|Coupe (de KIRU
|Cup (from KIRU
|-
|KO
呼
|Expiration.
|Expiry.
|-
|KOBUDŌ
古武道
|Arts martiaux anciens.
|Ancient martial arts.
|-
|KOKORO
心
|Mentalité, coeur et esprit.
|Mentality, heart and spirit.
|-
|KOKYU
呼吸
|Respiration, échange, alternance de temps pleins et  vides, rythme, coordination.
|Respiration, exchange, alternation of full and empty time,  rhythm, coordination.
|-
|KOKYU HŌ
呼吸法
|Exercice de KOKYU.
|KOKYU exercise.
|-
|KOKYU NAGE
呼吸投げ
|Projection par le souffle.
|Projection by the breath.
|-
|KOKYU RYOKU
呼吸力
|Force développée grâce à une bonne utilisation de  KOKYU.
|Force developed through good use of KOKYU.
|-
|KOSHI
腰
|Côté latéral du bassin, hanches (GOSHI).
|Lateral side of the pelvis, hips (GOSHI).
|-
|KOTE
小手
|Poignet.
|Wrist.
|-
|KOTE GAESHI
小手返し
|Action et torsion extérieure sur le poignet.
|Action and outer twist on the wrist.
|-
|KUBI
首
|Cou.
|Neck.
|-
|KUBI SHIME
|Étranglement.
|Strangulation.
|-
|KUMI
組
|Groupe.
|Group.
|-
|KUMI TACHI
組太刀
|Travail du sabre à deux.
|Sword work with two.
|-
|KUMIJO
|Travail du JO à deux.
|JO work two.
|-
|KYŪ
吸
|Inspiration.
|Inspiration.
|-
|KYŪ
級
|Grade que l'on décerne avant les DAN.
|Grade that is awarded before the DAN.
|-
|KYŪDŌ
弓道
|Voie du tir à l'arc.
|Way of archery.
|-
!
==M==
|
|
|-
|MA
間
|Intervalle, distance, relation entre les deux  partenaires.
|Interval, distance, relationship between the two partners.
|-
|MAAI
間合い
|Gestion de la distance, de la relation.
|Management of the distance, of the relation.
|-
|MAE
前
|Devant.
|In front of.
|-
|MAE GERI
前蹴り
|Coup de pied direct de face.
|Direct kick from the front.
|-
|MAE UKEMI
前受身
|Chute avant.
|Fall before.
|-
|MAWASHI GERI
回し蹴り
|Coup de pied circulaire.
|Circular kick.
|-
|MEN
面
|Tête.
|Head.
|-
|MI
身
|Corps.
|Body.
|-
|MICHI
道
|Voie, DO.
|Way, DO.
|-
|MIGI
右
|Droite.
|Right.
|-
|MU
無
|Le monde de l'énergie invisible, le vide.
|The world of invisible energy, emptiness.
|-
|MUKSO
|Concentration.
|Concentration.
|-
|MUNE
胸
|Poitrine.
|Chest.
|-
|MUNE DORI
胸取り
|Saisie du revers de la veste.
|Seizure of the lapel of the jacket.
|-
!
==N==
|
|
|-
|NAGE
投げ
|Celui qui fait la technique. Appelé aussi TORI ou  SHITE.
|Whoever does the technique. Also called TORI or SHITE.
|-
|NAGE WAZA
投げ技
|Techniques de projection.
|Projection techniques.
|-
|NAGINATA
薙刀
|Sorte de lance recourbée, fauchard. Le NAGINATA est  également un art martial pratiqué principalement par les femmes.
|Kind of curved spear, falcon. NAGINATA is also a martial art  practiced mainly by women.
|-
|NANAME
斜め
|En biais.
|Slantwise.
|-
|NIKKYO
|Deuxième principe d'immobilisation, torsion du  poignet.
|Second principle of immobilization, torsion of the wrist.
|-
!
==O==
|
|
|-
|OBI
帯
|Ceinture.
|Belt.
|-
|OMOTE
表
|Positif, devant, de face.
|Positive, front, front.
|-
|ONEGAI SHIMASU
お願いします
|Phrase que l'on prononce lorsque l'on salue  quelqu'un et qui signifie littéralement
|Phrase that is pronounced when we greet someone and  literally means
|-
|OSAE WAZA
抑え技
|Techniques de contrôle, immobilisations, exemple
|Control techniques, fixed assets, example
|-
|O　SENSEI
お先生
|Littéralement Grand Maître, désigne le fondateur,  Morihei Ueshiba.
|Literally Grand Master, designates the founder, Morihei  Ueshiba.
|-
!
==R==
|
|
|-
|RANDORI
|Travail libre et continu.
|Free and continuous work.
|-
|REI
礼
|Salut.
|Salution.
|-
|REISHIKI
礼式
|Etiquette, règles de comportement dans le DOJO.
|Etiquette, rules of behavior in the DOJO.
|-
|RITSU REI
立礼
|Salut debout.
|Standing salution.
|-
|RYŌ KATA
両肩
|Deux épaules.
|Two shoulders.
|-
|RYŌ KATATE
両片手
|Deux poignets.
|Two wrists.
|-
|RYŌTE
両手
|Deux mains.
|Two hands.
|-
|RYU
流
|École d'arts martiaux.
|School of martial arts.
|-
!
==S==
|
|
|-
|SAMURAI
侍
|Guerrier, membre de la classe militaire à l'époque  féodale.
|Warrior, member of the military class at the time feudal.
|-
|SANKAKUTAI
|Position de garde. Les pieds à angle droit de façon  à ce que les lignes talon-orteils forment un triangle. Figure géométrique de  stabilité et de mouvement.
|Guard position. The feet at right angles so that the heel-toe  lines form a triangle. Geometric figure of stability and movement.
|-
|SANKYO
|Troisième principe d'immobilisation, action sur  l'épaule.
|Third principle of immobilization, action on the shoulder.
|-
|SEISHIN
精神
|Esprit.
|Mind.
|-
|SEIZA
正座
|Position à genoux, assis sur les talons.
|Position on your knees, sitting on your heels.
|-
|SENPAI (SEMPAI)
先輩
|Ancien élève.
|Former student.
|-
|SENSEI
先生
|Professeur, enseignant ou toute personne que l'on  respecte beaucoup.
|Professor, teacher or anyone who is very respected.
|-
|SHIAI
試合
|Compétition.
|Competition.
|-
|SHIHAN
師範
|Professeur de très haut grade. Grand Maître.
|Professor of very high grade. Grand Master.
|-
|SHIHŌ
四方
|4 directions.
|4 directions.
|-
|SHIHO GIRI
四方切り
|Action de couper dans les 4 directions.
|Action to cut in 4 directions.
|-
|SHIHO NAGE
四方投げ
|Projection dans les 4 directions.
|Projection in 4 directions.
|-
|SHIMOSEKI
下席
|Partie basse du tapis, en face du JOSEKI.
|Lower part of the carpet, opposite the JOSEKI.
|-
|SHIN
神
|Esprit, coeur.
|Spirit, heart.
|-
|SHIN GI TAI
心技体
|Union du mental, de la technique et du physique.  Idéal recherché.
|Union of mental, technical and physical. Ideal sought.
|-
|SHINAI
竹刀
|Sabre composé de 4 lamelles de bambou utilisé en  KENDO.
|Saber composed of 4 strips of bamboo used in KENDO.
|-
|SHINTŌ
神道
|Religion nationale du Japon basée sur le culte des  ancêtres.
|Japan's national religion based on ancestor worship.
|-
|SHISEI
心性
|Attitude, posture correcte.
|Attitude, correct posture.
|-
|SHITE
仕手
|Celui qui fait la technique (appelé aussi TORI ou  NAGE).
|Whoever does the technique (also called TORI or NAGE).
|-
|SHIZENTAI
自然体
|Position naturelle de base.
|Basic natural position.
|-
|SHO
初
|Début.
|Start.
|-
|SHODAN
初段
|Premier DAN (DAN du débutant).
|First DAN (beginner's DAN).
|-
|SHŌMEN
正面
|De face.
|Front.
|-
|SHŌMEN UCHI
正面打ち
|Coup direct à la tête.
|Direct blow to the head.
|-
|SODE
袖
|Manche.
|Handle.
|-
|SOKUMEN
側面
|De biais.
|Side.
|-
|SOTO
外
|Extérieur.
|Outside.
|-
|SUBURI
素振り
|Exercice individuel de coupes répétitives au Ken.
|Individual exercise of repetitive cuts at Ken.
|-
|SUMŌ
相撲
|Lutte japonaise.
|Japanese wrestling.
|-
|SUWARI
座り
|À genoux.
|On your knees.
|-
!
==T==
|
|
|-
|TACHI
立ち
|Debout.
|Standing.
|-
|TAI
体
|Le corps.
|The body.
|-
|TAI SABAKI
|Déplacement du corps (souvent combinaison de  "Irimi-tenkan").
|Movement of the body (often combination of  "Irimi-tenkan").
|-
|TAIDŌ
体道
|La Voie du Corps
|The Body Way
|-
|TAIJUTSU
体術
|Techniques de combat à mains nues.
|Hand fighting techniques.
|-
|TAISŌ
体操
|Gymnastique, éducatif, échauffement.
|Gymnastics, educational, warm-up.
|-
|TANBŌ (TAMBŌ)
短棒
|Bâton court.
|Short stick.
|-
|TANTŌ
短刀
|Couteau.
|Knife.
|-
|TANTŌ DORI
短刀取り
|Techniques contre couteau.
|Techniques against knife.
|-
|TATAMI
畳
|Natte épaisse de paille que l'on trouve dans les  maisons japonaises et dans les DOJO; par extension le tapis du DOJO.
|Thick straw mat found in Japanese houses and DOJOs; by  extension the carpet of the DOJO.
|-
|TE
手
|Main.
|Hand.
|-
|TE NO UCHI
手の内
|Intérieur de la main.
|Interior of the hand.
|-
|TEGATANA
手刀
|Tranchant de la main, la main sabre.
|Sharp of the hand, the hand saber.
|-
|TEKUBI
手首
|Poignet.
|Wrist.
|-
|TEN
天
|Ciel.
|Sky.
|-
|TENKAN
転換
|Déplacement en pivot autour du pied avant.
|Pivoting around the front foot.
|-
|TOKONOMA
|Lieu où se trouve portrait surélevé de O-SENSEI.
|Place where is raised portrait of O-SENSEI.
|-
|TORI
取り
|Celui qui fait la technique. Appelé aussi NAGE ou  SHITE.
|Whoever does the technique. Also called NAGE or SHITE.
|-
|TSUDE
|Manche au niveau du coude.
|Sleeve at the elbow.
|-
|TSUGI ASHI
継脚
|Déplacement en glissant les pieds sans passer une  jambe devant l'autre.
|Move by sliding your feet without passing one leg in front of  the other.
|-
|TSUKI
突き
|Coup direct et de face (poing, sabre ou bâton).
|Direct and direct shot (fist, sword or stick).
|-
!
==U==
|
|
|-
|UCHI
内
|Intérieur.
|Interior.
|-
|UCHIDESHI
内弟子
|Élève se destinant à être professeur et résidant en  permanence dans le DOJO pendant son instruction.
|Student destined to be a teacher and permanently residing in  the DOJO during his training.
|-
|UDE
腕
|Bras.
|Arms.
|-
|UESHIBA MORIHEI
植芝盛平
|Nom du fondateur de l'Aikido.
|Name of the founder of Aikido.
|-
|UKA
|Négatif, extérieur, revers, partie cachée.
|Negative, outside, backhand, hidden part.
|-
|UKE
受け
|Celui qui attaque et qui chute.
|Whoever attacks and who falls.
|-
|UKEMI
受け身
|Chute.
|Fall.
|-
|URA
|Négatif, extérieur, revers, dos, face cachée.
|Negative, outside, backhand, back, face down.
|-
|USHIRO
後ろ
|Arrière.
|Back.
|-
|USHIRO UKEMI
後ろ受け身
|Chute arrière.
|Falling back.
|-
!
==W==
|
|
|-
|WAKA SENSEI
若先生
|Fils du Maître, littéralement
|Son of the Master, literally
|-
|WAZA
技
|Technique.
|Technical.
|-
!
==Y==
|
|
|-
|YARI
槍
|Lance.
|Lance.
|-
|YOKO
横
|Côté.
|Side.
|-
|YOKOMEN
横面
|Côté de la tête.
|Side of the head.
|-
|YONKYO
|Quatrième principe d'immobilisation.
|Fourth principle of immobilization.
|-
|YUDANSHA
|Pratiquant titulaire d'un grade DAN.
|Practitioner with a DAN degree.
|-
|YUMI
弓
|Arc japonais.
|Japanese bow.
|-
!
==Z==
|
|
|-
|ZANSHIN
|Attitude de contrôle et de vigilance qui suit  l'exécution d'une technique.
|Attitude of control and vigilance following the execution of a  technique.
|-
|ZAREI
座礼
|Salut à genoux.
|Salution on your knees.
|-
|ZŌRI
草履
|Sandales.
|Sandals.
|}

==Source==
http://amt-budo.blogg.org/lexique-des-arts-martiaux-japonais-a116899184
@@ Line 1: / Line 1: @@
 [[File:Japanese-martial-arts-vocabulary.png|thumb]]
 [[Category:Japanese/Glossary]]
-The historical origin of [https://en.wikipedia.org/wiki/List_of_Japanese_martial_arts Japanese martial arts] can be found in the warrior traditions of the samurai and the caste system that restricted the use of weapons by other members of society. Originally, samurai were expected to be proficient in many weapons, as well as unarmed combat, and attain the highest possible mastery of combat skills.
+In this lesson, you will find a lexicon of [https://en.wikipedia.org/wiki/List_of_Japanese_martial_arts Japanese martial arts].
-During the feudal era, Japan was characterized by a caste system that placed the samurai at the top of the social hierarchy. This privileged status granted them exclusive access to weapons and combat training, while other members of society were restricted from bearing arms. As a result, the samurai became the guardians of Japan's military and cultural traditions, and their influence is still evident in modern martial arts practices.
+Feel free to correct or add new vocabulary.
-The samurai were expected to be proficient in a wide range of weapons, including the katana (sword), yumi (bow), yari (spear), and naginata (halberd). In addition to their expertise in weaponry, samurai were also trained in unarmed combat techniques, such as jujutsu and sumo. This comprehensive approach to martial training ensured that samurai were well-equipped to face any challenge on the battlefield.
-Over time, the martial arts of Japan evolved and diversified, giving rise to various distinct styles and disciplines. Some martial arts, such as kendo and kyudo, focus on the refinement of traditional weapon skills, while others, such as judo and karate, emphasize unarmed combat and self-defense techniques. The underlying philosophy of Japanese martial arts is not solely about physical prowess, but also about the cultivation of character, discipline, and spiritual growth.
-In this lesson, you will find a lexicon of Japanese martial arts. This glossary will introduce you to key terms, concepts, and disciplines that are integral to the study and practice of martial arts in Japan. Whether you are a martial arts enthusiast, a practitioner, or simply curious about Japan's rich martial heritage, this lexicon will serve as a valuable resource for expanding your knowledge and understanding of the world of Japanese martial arts.
-Feel free to correct or add new vocabulary as you explore the diverse and fascinating realm of Japanese martial arts.
-<span link>Don't hesitate to look into these other pages after completing this lesson:</span> [[Language/Japanese/Vocabulary/Transport|Transport]], [[Language/Japanese/Vocabulary/Days-of-the-Week|Days of the Week]], [[Language/Japanese/Vocabulary/Counting-and-Numbers|Counting and Numbers]] & [[Language/Japanese/Vocabulary/Metal|Metal]].
 __TOC__
@@ Line 1,199: / Line 1,189: @@
 ==Source==
 http://amt-budo.blogg.org/lexique-des-arts-martiaux-japonais-a116899184
-==Other Lessons==
-* [[Language/Japanese/Vocabulary/Unique-Expressions|Unique Expressions]]
-* [[Language/Japanese/Vocabulary/Numbers|Numbers]]
-* [[Language/Japanese/Vocabulary/Fruits|Fruits]]
-* [[Language/Japanese/Vocabulary/Transport|Transport]]
-* [[Language/Japanese/Vocabulary/Parts-of-the-Body|Parts of the Body]]
-* [[Language/Japanese/Vocabulary/Greetings|Greetings]]
-* [[Language/Japanese/Vocabulary/Education|Education]]
-* [[Language/Japanese/Vocabulary/Body|Body]]
-* [[Language/Japanese/Vocabulary/Jobs|Jobs]]
-<span links></span>