Editing Language/Japanese/Vocabulary/Glossary-of-Japanese-martial-arts
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|- | |- | ||
|AI | |AI | ||
|Harmonie, union, unification, rencontre. | |Harmonie, union, unification, rencontre. | ||
|Harmony, union, unification, encounter. | |Harmony, union, unification, encounter. | ||
|- | |- | ||
|AI HANMI | |AI HANMI | ||
|Position identique. | |Position identique. | ||
|Identical position. | |Identical position. | ||
|- | |- | ||
|AI HANMI KATATE DORI | |AI HANMI KATATE DORI | ||
|Saisie d'une main du côté opposé. | |Saisie d'une main du côté opposé. | ||
|Entering a hand on the opposite side. | |Entering a hand on the opposite side. | ||
|- | |- | ||
|AIKI OTOSHI | |AIKI OTOSHI | ||
|Projection qui utilise le ramassage des jambes du partenaire. | |Projection qui utilise le ramassage des jambes du partenaire. | ||
|Projection that uses the partner's leg collection. | |Projection that uses the partner's leg collection. | ||
|- | |- | ||
|AIKI | |AIKI TAISO | ||
|Exercices de bases en Aikido. | |Exercices de bases en Aikido. | ||
|Basic exercises in Aikido. | |Basic exercises in Aikido. | ||
|- | |- | ||
| | |AIKIDO | ||
|Voie de l'harmonie. Art martial uniquement défensif utilisant différentes techniques de projection, de contrôle et d'immobilisation mettant en jeu les articulations. L'AIKIDO est la forme moderne et pacifique d'un art martial ancien, l'AIKIJUTSU, lui-même issu d'un autre art tout aussi ancien | |Voie de l'harmonie. Art martial uniquement défensif utilisant différentes techniques de projection, de contrôle et d'immobilisation mettant en jeu les articulations. L'AIKIDO est la forme moderne et pacifique d'un art martial ancien, l'AIKIJUTSU, lui-même issu d'un autre art tout aussi ancien | ||
|Way of harmony. Only defensive martial art using different techniques of projection, control and immobilization involving the joints. AIKIDO is the modern and peaceful form of an ancient martial art, the AIKIJUTSU, itself derived from another ancient art | |Way of harmony. Only defensive martial art using different techniques of projection, control and immobilization involving the joints. AIKIDO is the modern and peaceful form of an ancient martial art, the AIKIJUTSU, itself derived from another ancient art | ||
|- | |- | ||
| | |AIKIDOGI | ||
|Tenue d'Aikido. | |Tenue d'Aikido. | ||
|Aikido outfit. | |Aikido outfit. | ||
|- | |- | ||
| | |AIKIDOKA | ||
|Pratiquant qui a atteint la maîtrise dans l'art de l'Aikido. Le terme correct pour désigner un pratiquant qui n'a pas encore atteint la maîtrise est | |Pratiquant qui a atteint la maîtrise dans l'art de l'Aikido. Le terme correct pour désigner un pratiquant qui n'a pas encore atteint la maîtrise est | ||
|Practitioner who has achieved mastery in the art of Aikido. The correct term for a practitioner who has not yet achieved mastery is | |Practitioner who has achieved mastery in the art of Aikido. The correct term for a practitioner who has not yet achieved mastery is | ||
|- | |- | ||
|AIKIJUTSU | |AIKIJUTSU | ||
|Technique ancienne de combat basée sur la coordination entre attaque et défense. | |Technique ancienne de combat basée sur la coordination entre attaque et défense. | ||
|Ancient combat technique based on coordination between attack and defense. | |Ancient combat technique based on coordination between attack and defense. | ||
|- | |- | ||
|AITE | |AITE | ||
|Partenaire d'entraînement. | |Partenaire d'entraînement. | ||
|Training partner. | |Training partner. | ||
|- | |- | ||
| | |ARIGATOO | ||
|Merci. | |Merci. | ||
|Thank you. | |Thank you. | ||
|- | |- | ||
| | |ARIGATOO GOZAIMASHITA | ||
|Merci beaucoup. | |Merci beaucoup. | ||
|Thank you so much. | |Thank you so much. | ||
|- | |- | ||
|ASHI | |ASHI | ||
|Pied OU jambe. | |Pied OU jambe. | ||
|Foot OR leg. | |Foot OR leg. | ||
|- | |- | ||
|ASHI BARAI | |ASHI BARAI | ||
|Balayage des jambes. | |Balayage des jambes. | ||
|Sweeping of the legs. | |Sweeping of the legs. | ||
|- | |- | ||
|ATEMI | |ATEMI | ||
|Coup porté théoriquement à des endroits vitaux du corps humain. | |Coup porté théoriquement à des endroits vitaux du corps humain. | ||
|Striking theoretically at vital places of the human body. | |Striking theoretically at vital places of the human body. | ||
|- | |- | ||
|AYUMI ASHI | |AYUMI ASHI | ||
|Déplacement en pas de marche normale, une jambe après l'autre. | |Déplacement en pas de marche normale, une jambe après l'autre. | ||
|Moving in normal step, one leg after another. | |Moving in normal step, one leg after another. | ||
Line 112: | Line 96: | ||
|- | |- | ||
|BATTO JUTSU | |BATTO JUTSU | ||
|Art de dégainer le sabre (forme ancienne de IAIDO). | |Art de dégainer le sabre (forme ancienne de IAIDO). | ||
|Art of unsheathing the sword (old form of IAIDO). | |Art of unsheathing the sword (old form of IAIDO). | ||
|- | |- | ||
| | |BO | ||
|Bâton long (1,80 m). | |Bâton long (1,80 m). | ||
|Long stick (1.80 m). | |Long stick (1.80 m). | ||
|- | |- | ||
| | |BOJUTSU | ||
|Art ou bien technique du bâton. | |Art ou bien technique du bâton. | ||
|Art or technical stick. | |Art or technical stick. | ||
|- | |- | ||
|BOKKEN | |BOKKEN | ||
|Sabre de bois. | |Sabre de bois. | ||
|Wooden sword. | |Wooden sword. | ||
|- | |- | ||
| | |BUDO | ||
|Voie de la guerre, arts martiaux traditionnels. | |Voie de la guerre, arts martiaux traditionnels. | ||
|Way of the war, traditional martial arts. | |Way of the war, traditional martial arts. | ||
|- | |- | ||
| | |BUDO SEISHIN | ||
|esprit BUDO. | |esprit BUDO. | ||
|BUDO spirit. | |BUDO spirit. | ||
|- | |- | ||
|BUSHI | |BUSHI | ||
|Guerrier. | |Guerrier. | ||
|Warrior. | |Warrior. | ||
|- | |- | ||
| | |BUSHIDO | ||
|Code d'honneur des BUSHI. | |Code d'honneur des BUSHI. | ||
|Code of honor of BUSHI. | |Code of honor of BUSHI. | ||
Line 157: | Line 133: | ||
|- | |- | ||
|CHI | |CHI | ||
|Terre. | |Terre. | ||
|Earth. | |Earth. | ||
|- | |- | ||
| | |CHUDAN | ||
|Niveau moyen | |Niveau moyen | ||
|Average level | |Average level | ||
|- | |- | ||
| | |CHUDAN TSUKI | ||
|coup de poing hauteur abdomen-plexus. | |coup de poing hauteur abdomen-plexus. | ||
|punch abdomen-plexus height. | |punch abdomen-plexus height. | ||
Line 177: | Line 150: | ||
|- | |- | ||
|DAN | |DAN | ||
|Degré, grade. | |Degré, grade. | ||
|Degree, grade. | |Degree, grade. | ||
|- | |- | ||
|DEAI | |DEAI | ||
|Prise de contact, premier temps de la technique (littéralement | |Prise de contact, premier temps de la technique (littéralement | ||
|Handshake, first step of the technique (literally | |Handshake, first step of the technique (literally | ||
|- | |- | ||
| | |DO | ||
|Voie. | |Voie. | ||
|Way. | |Way. | ||
|- | |- | ||
| | |DOJO | ||
|lieu ou l'on étudie la voie, salle de pratique des arts martiaux. | |lieu ou l'on étudie la voie, salle de pratique des arts martiaux. | ||
|place where one studies the way, room of practice of the martial arts. | |place where one studies the way, room of practice of the martial arts. | ||
|- | |- | ||
| | |DORI | ||
|Saisie. | |Saisie. | ||
|Entering. | |Entering. | ||
|- | |- | ||
| | |DOSHU | ||
|Littéralement, le Maître de la voie, représentant suprême (technique et spirituel) de l'art. | |Littéralement, le Maître de la voie, représentant suprême (technique et spirituel) de l'art. | ||
|Literally, the Master of the Way, supreme representative (technical and spiritual) of art. | |Literally, the Master of the Way, supreme representative (technical and spiritual) of art. | ||
|- | |- | ||
| | |DOZO | ||
|Je vous en prie, s'il vous plaît. | |Je vous en prie, s'il vous plaît. | ||
|Please, please. | |Please, please. | ||
Line 217: | Line 183: | ||
|- | |- | ||
|ERI | |ERI | ||
|col | |col | ||
|collar | |collar | ||
Line 226: | Line 191: | ||
| | | | ||
|- | |- | ||
| | |GAESHI | ||
|Enrouler. | |Enrouler. | ||
|Wrap. | |Wrap. | ||
|- | |- | ||
|GAKU | |GAKU | ||
|Calligraphie ou devise accrochée sur le mur des DOJO. | |Calligraphie ou devise accrochée sur le mur des DOJO. | ||
|Calligraphy or motto hanging on the wall of DOJO. | |Calligraphy or motto hanging on the wall of DOJO. | ||
|- | |- | ||
|GEDAN | |GEDAN | ||
|Niveau bas. | |Niveau bas. | ||
|Low level. | |Low level. | ||
|- | |- | ||
| | |GERI/ KERI | ||
|Coup de pied. | |Coup de pied. | ||
|Kick. | |Kick. | ||
|- | |- | ||
| | |GI | ||
|Vetêment. | |Vetêment. | ||
|Clothes. | |Clothes. | ||
|- | |- | ||
|GI | |GI | ||
|La technique, l'habileté (cf. "SHIN, GI, TAI"). | |La technique, l'habileté (cf. "SHIN, GI, TAI"). | ||
|Technique, skill (see "SHIN, GI, TAI"). | |Technique, skill (see "SHIN, GI, TAI"). | ||
Line 265: | Line 224: | ||
|- | |- | ||
|GOSHI | |GOSHI | ||
|Partie latérale du bassin, hanches voir aussi KOSHI. | |Partie latérale du bassin, hanches voir aussi KOSHI. | ||
|Lateral pelvis, hips see also KOSHI. | |Lateral pelvis, hips see also KOSHI. | ||
|- | |- | ||
|GYAKU HANMI | |GYAKU HANMI | ||
|Position inverse. | |Position inverse. | ||
|Reverse position. | |Reverse position. | ||
Line 280: | Line 237: | ||
|- | |- | ||
|HAKAMA | |HAKAMA | ||
|Jupe-culotte traditionnelle portée sur le GI dans tous les BUDO classiques. Selon les écoles, peut être portée dès le début de la pratique ou à partir d'un certain grade (souvent la ceinture noire). | |Jupe-culotte traditionnelle portée sur le GI dans tous les BUDO classiques. Selon les écoles, peut être portée dès le début de la pratique ou à partir d'un certain grade (souvent la ceinture noire). | ||
|Traditional skirt worn on the GI in all classic BUDO. Depending on the school, can be worn from the beginning of the practice or from a certain grade (often the black belt). | |Traditional skirt worn on the GI in all classic BUDO. Depending on the school, can be worn from the beginning of the practice or from a certain grade (often the black belt). | ||
|- | |- | ||
|HANMI (HAMMI) | |HANMI (HAMMI) | ||
|Position de base en Aikido, un côté en avant présentant la moitié du corps. | |Position de base en Aikido, un côté en avant présentant la moitié du corps. | ||
|Basic position in Aikido, one side forward with half of the body. | |Basic position in Aikido, one side forward with half of the body. | ||
|- | |- | ||
|HANMI HANDACHI | |HANMI HANDACHI | ||
|Un partenaire debout, l'autre à genoux. | |Un partenaire debout, l'autre à genoux. | ||
|One partner standing, the other kneeling. | |One partner standing, the other kneeling. | ||
|- | |- | ||
|HARA | |HARA | ||
|Le centre, le ventre considéré comme le centre de la vie et de l'énergie. | |Le centre, le ventre considéré comme le centre de la vie et de l'énergie. | ||
|The center, the belly considered as the center of life and energy. | |The center, the belly considered as the center of life and energy. | ||
Line 304: | Line 257: | ||
|- | |- | ||
|HENKA | |HENKA | ||
|Changement de posture sans bouger les pieds. | |Changement de posture sans bouger les pieds. | ||
|Change of posture without moving your feet. | |Change of posture without moving your feet. | ||
|- | |- | ||
|HENKAWAZA | |HENKAWAZA | ||
|Variations, enchaînements. | |Variations, enchaînements. | ||
|Variations, concatenations. | |Variations, concatenations. | ||
|- | |- | ||
|HIDARI | |HIDARI | ||
|Gauche. | |Gauche. | ||
|Left. | |Left. | ||
|- | |- | ||
|HIJI | |HIJI | ||
|Coude. | |Coude. | ||
|Elbow. | |Elbow. | ||
|- | |- | ||
|HIZA | |HIZA | ||
|Genoux. | |Genoux. | ||
|Knees. | |Knees. | ||
Line 333: | Line 281: | ||
| | | | ||
|- | |- | ||
| | |IAIDO | ||
|Voie du sabre (voie du sortir du sabre). | |Voie du sabre (voie du sortir du sabre). | ||
|Way of the sword (way out of the sword). | |Way of the sword (way out of the sword). | ||
|- | |- | ||
| | |IAITO | ||
|Sabre factice d'entraînement au IAIDO. | |Sabre factice d'entraînement au IAIDO. | ||
|Dummy training sword at IAIDO. | |Dummy training sword at IAIDO. | ||
Line 348: | Line 294: | ||
|- | |- | ||
|IRI | |IRI | ||
|Entrer. | |Entrer. | ||
|Enter. | |Enter. | ||
|- | |- | ||
|IRIMI | |IRIMI | ||
|Point fort de l'AIKIDO, c'est l'action d'entrer droit sur l'adversaire tout en esquivant, action très positive. Presque tous les mouvements d'AIKIDO utilisent le IRIMI et au paroxysme du IRIMI-TENKAN. | |Point fort de l'AIKIDO, c'est l'action d'entrer droit sur l'adversaire tout en esquivant, action très positive. Presque tous les mouvements d'AIKIDO utilisent le IRIMI et au paroxysme du IRIMI-TENKAN. | ||
|Strong point of the AIKIDO, it is the action to enter right on the opponent while dodging, very positive action. Almost all movements of AIKIDO use IRIMI and the paroxysm of IRIMI-TENKAN. | |Strong point of the AIKIDO, it is the action to enter right on the opponent while dodging, very positive action. Almost all movements of AIKIDO use IRIMI and the paroxysm of IRIMI-TENKAN. | ||
|- | |- | ||
|IRIMI NAGE | |IRIMI NAGE | ||
|Projection en entrant. | |Projection en entrant. | ||
|Projection when entering. | |Projection when entering. | ||
Line 367: | Line 310: | ||
| | | | ||
|- | |- | ||
| | |JIYU WAZA | ||
|Travail libre. | |Travail libre. | ||
|Free work. | |Free work. | ||
|- | |- | ||
| | |JO | ||
|Bâton utilisé en Aikido (1,28 m). | |Bâton utilisé en Aikido (1,28 m). | ||
|Staff used in Aikido (1.28 m). | |Staff used in Aikido (1.28 m). | ||
|- | |- | ||
| | | colspan="2" |JODAN :Niveau haut. | ||
| | |||
|Niveau haut. | |||
| | |||
|- | |- | ||
|JOSEKI | |JOSEKI | ||
Line 386: | Line 325: | ||
|Wall of honor of a DOJO. | |Wall of honor of a DOJO. | ||
|- | |- | ||
| | |JU | ||
|Souplesse. | |Souplesse. | ||
|Flexibility. | |Flexibility. | ||
|- | |- | ||
| | |JU NO GEIKO | ||
|Entraînement souple. | |Entraînement souple. | ||
|Flexible training. | |Flexible training. | ||
|- | |- | ||
| | |JUDO | ||
|Voie de la souplesse. Sport de combat principalement axé sur la compétition qui utilise les projections et les immobilisations de l'ancien JU JUTSU. | |Voie de la souplesse. Sport de combat principalement axé sur la compétition qui utilise les projections et les immobilisations de l'ancien JU JUTSU. | ||
|Way of flexibility. Primarily competition-based combat sport that uses projections and fixed assets from the former JU JUGSU. | |Way of flexibility. Primarily competition-based combat sport that uses projections and fixed assets from the former JU JUGSU. | ||
|- | |- | ||
| | |JUDOGI | ||
|Tenue de JUDO. | |Tenue de JUDO. | ||
|Judo dress. | |Judo dress. | ||
|- | |- | ||
| | |JUJUTSU (JIU JITSU) | ||
|Anciennes méthodes de combat d'où sont tirés plusieurs arts martiaux modernes. | |Anciennes méthodes de combat d'où sont tirés plusieurs arts martiaux modernes. | ||
|Ancient methods of combat from which are drawn several modern martial arts. | |Ancient methods of combat from which are drawn several modern martial arts. | ||
|- | |- | ||
| | |JUKEN JUTSU | ||
|Art de la baïonnette | |Art de la baïonnette | ||
|Art of the bayonet | |Art of the bayonet | ||
Line 421: | Line 355: | ||
|- | |- | ||
|KAI | |KAI | ||
|Association, groupement, école. | |Association, groupement, école. | ||
|Association, group, school. | |Association, group, school. | ||
|- | |- | ||
|KAITEN | |KAITEN | ||
|Rotation, mouvement circulaire. | |Rotation, mouvement circulaire. | ||
|Rotation, circular motion. | |Rotation, circular motion. | ||
|- | |- | ||
|KAITEN NAGE | |KAITEN NAGE | ||
|Projection en lancer rotatif. | |Projection en lancer rotatif. | ||
|Rotating throw projection. | |Rotating throw projection. | ||
Line 440: | Line 371: | ||
|- | |- | ||
|KAMAE | |KAMAE | ||
|Garde, posture. | |Garde, posture. | ||
|Guard, posture. | |Guard, posture. | ||
|- | |- | ||
|KAMIZA | |KAMIZA | ||
|Place d'honneur du DOJO vers laquelle les saluts s'effectuent et où se trouve généralement le portrait de O-SENSEI. | |Place d'honneur du DOJO vers laquelle les saluts s'effectuent et où se trouve généralement le portrait de O-SENSEI. | ||
|Place of honor of the DOJO to which greetings are made and where is generally the portrait of O-SENSEI. | |Place of honor of the DOJO to which greetings are made and where is generally the portrait of O-SENSEI. | ||
|- | |- | ||
|KARATE | |KARATE | ||
|Art martial de combat à mains nues (KARA | |Art martial de combat à mains nues (KARA | ||
|Martial art of hand-to-hand combat (KARA | |Martial art of hand-to-hand combat (KARA | ||
|- | |- | ||
|KARATEGI | |KARATEGI | ||
|Tenue de KARATE. | |Tenue de KARATE. | ||
|KARATE | |Keeping KARATE. | ||
|- | |- | ||
|KATA | |KATA | ||
Line 464: | Line 391: | ||
|- | |- | ||
|KATA | |KATA | ||
|Épaules. | |Épaules. | ||
|Shoulders. | |Shoulders. | ||
|- | |- | ||
|KATAME WAZA | |KATAME WAZA | ||
|Techniques de contrôle qui sollicitent en général les articulations. | |Techniques de contrôle qui sollicitent en général les articulations. | ||
|Control techniques that generally involve the joints. | |Control techniques that generally involve the joints. | ||
|- | |- | ||
|KATANA | |KATANA | ||
|Sabre japonais. | |Sabre japonais. | ||
|Japanese sword. | |Japanese sword. | ||
|- | |- | ||
|KATATE | |KATATE | ||
|Avant bras, poignet. | |Avant bras, poignet. | ||
|Forearm, wrist. | |Forearm, wrist. | ||
|- | |- | ||
|KATATE | |KATATE DORI | ||
|Saisie du poignet. | |Saisie du poignet. | ||
|Entering the wrist. | |Entering the wrist. | ||
|- | |- | ||
|KEIKO | |KEIKO | ||
|Pratique, répétition, entraînement. | |Pratique, répétition, entraînement. | ||
|Practice, repetition, training. | |Practice, repetition, training. | ||
|- | |- | ||
|KEIKO | |KEIKO HO | ||
|Formes de pratique. | |Formes de pratique. | ||
|Forms of practice. | |Forms of practice. | ||
|- | |- | ||
|KEIKOGI | |KEIKOGI | ||
|Vêtement d'entraînement généralement blanc, utilisé dans la plupart des écoles d'arts martiaux. Appelé à tort KIMONO. | |Vêtement d'entraînement généralement blanc, utilisé dans la plupart des écoles d'arts martiaux. Appelé à tort KIMONO. | ||
|Usually white training suit, used in most martial arts schools. Wrongly called KIMONO. | |Usually white training suit, used in most martial arts schools. Wrongly called KIMONO. | ||
|- | |- | ||
|KEN | |KEN | ||
|Sabre. | |Sabre. | ||
|Saber. | |Saber. | ||
|- | |- | ||
| | |KENDO | ||
|Escrime japonaise qui se pratique avec des sabres de bambou ou SHINAI. | |Escrime japonaise qui se pratique avec des sabres de bambou ou SHINAI. | ||
|Japanese fencing that is practiced with bamboo sabers or SHINAI. | |Japanese fencing that is practiced with bamboo sabers or SHINAI. | ||
|- | |- | ||
| | |KENPO (KEMPO) | ||
|ancienne technique de combat apparentée à la boxe chinoise et au KARATE. | |ancienne technique de combat apparentée à la boxe chinoise et au KARATE. | ||
|ancient combat technique akin to Chinese boxing and karate. | |ancient combat technique akin to Chinese boxing and karate. | ||
Line 527: | Line 443: | ||
|- | |- | ||
|KI | |KI | ||
|Énergie. | |Énergie. | ||
|Energy. | |Energy. | ||
|- | |- | ||
|KI MUSUBI | |KI MUSUBI | ||
|Liaison entre les deux partenaires. | |Liaison entre les deux partenaires. | ||
|Liaison between the two partners. | |Liaison between the two partners. | ||
|- | |- | ||
|KIAI | |KIAI | ||
|Cri, souffle ou bien impulsion. | |Cri, souffle ou bien impulsion. | ||
|Scream, breath or impulse. | |Scream, breath or impulse. | ||
|- | |- | ||
|KIMONO | |KIMONO | ||
|Sorte de longue robe portée par les femmes ou par les hommes en vêtement d'intérieur ou de cérémonie. Le KIMONO n'est pas un vêtement d'entraînement en arts martiaux. Le vêtement d'entraînement s'appelle KEIKOGI. | |Sorte de longue robe portée par les femmes ou par les hommes en vêtement d'intérieur ou de cérémonie. Le KIMONO n'est pas un vêtement d'entraînement en arts martiaux. Le vêtement d'entraînement s'appelle KEIKOGI. | ||
|Kind of long dress worn by women or men in indoor or ceremonial clothing. KIMONO is not a martial arts training garment. The training suit is called KEIKOGI. | |Kind of long dress worn by women or men in indoor or ceremonial clothing. KIMONO is not a martial arts training garment. The training suit is called KEIKOGI. | ||
|- | |- | ||
|KIRI | |KIRI | ||
|Coupe (de KIRU | |Coupe (de KIRU | ||
|Cup (from KIRU | |Cup (from KIRU | ||
|- | |- | ||
|KO | |KO | ||
|Expiration. | |Expiration. | ||
|Expiry. | |Expiry. | ||
|- | |- | ||
| | |KOBUDO | ||
|Arts martiaux anciens. | |Arts martiaux anciens. | ||
|Ancient martial arts. | |Ancient martial arts. | ||
|- | |- | ||
|KOKORO | |KOKORO | ||
|Mentalité, coeur et esprit. | |Mentalité, coeur et esprit. | ||
|Mentality, heart and spirit. | |Mentality, heart and spirit. | ||
|- | |- | ||
|KOKYU | |KOKYU | ||
|Respiration, échange, alternance de temps pleins et vides, rythme, coordination. | |Respiration, échange, alternance de temps pleins et vides, rythme, coordination. | ||
|Respiration, exchange, alternation of full and empty time, rhythm, coordination. | |Respiration, exchange, alternation of full and empty time, rhythm, coordination. | ||
|- | |- | ||
|KOKYU | |KOKYU HO | ||
|Exercice de KOKYU. | |Exercice de KOKYU. | ||
|KOKYU exercise. | |KOKYU exercise. | ||
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|KOKYU NAGE | |KOKYU NAGE | ||
|Projection par le souffle. | |Projection par le souffle. | ||
|Projection by the breath. | |Projection by the breath. |